Using Software for Credit Recovery

There is a wonderful multi-part series on Slate’s Schooled section called “The Big Shortcut” on the advantages and disadvantages of using software for credit recovery. The first story is here.  In a nutshell, there are real pros and cons to consider if your district is going to use software:

Pros

  • easy to implement for administrators
  • easy for students to use
  • flexible use of time and space is great for students with other obligations
  • students can learn basic facts and skills
  • allows focus on content rather than socializing

Cons

  • boring and isolating
  • easy for students to game and/or Google
  • easy for students to “pretest” out quickly
  • difficult for students who are not self-motivated or who need structure
  • shallow content emphasizing breadth instead of depth
  • shallow assessment (as in multiple choice assessments vs. essays, presentations, or products)
  • linear presentation of material does not allow exploration

The most successful curricula heavily involve teachers and the class looks more like a blended class than computer lab.  Students get the actual teaching that they need while proceeding in an environment that is an alternative to traditional classes.

Therefore, the questions to keep in mind about using software for credit recovery (and credit acceleration!) include the following:

  • do you have subject-area teachers available to monitor, assess, and give assistance and feedback?
  • in social studies, is the software consistently updated? (For example, WorldView programs were the social studies component of Edmentum’s Plato Courseware for many years, but their version is no longer updated by us.)
  • is there a discussion component (either virtual or IRL)?
  • does the software’s content comprehensively cover your state’s standards? Look for software that has made it through your state’s textbook adoption process, which is a higher standard.
  • are there options for different types of assessment (not just multiple choice questions)? WorldView programs have different levels of multiple choice questions (factual, conceptual, chronological, and image), guided and un-guided essays, short answer questions, and projects.
  • how much repetition/randomization do the multiple choice questions employ? How often can students retake the test? WorldView programs even have multiple testing options for multiple choice questions: Study Questions are Socratic, allowing students two tries and give a mini-lesson explanation for the answer.  Practice Tests allow the student one try.  And coming soon are Mastery Questions that contain different question stems, answers, and distractors.
  • how secure is your IT system? how much of the internet can students access from within the program? do they have access to their own devices?

And so on!  Are you a teacher, administrator, or home-schooler using software for credit recovery or acceleration? Let us know what issues you’ve discovered in the comments.


BulbgraphOnOffUse the answers to the “Questions for Thought” in the overview as a note-taking guided exercise.


Preview WorldView Software’s programs for free at company logohttp://www.worldviewsoftware.com/preview/

Resource Highlight: National Repository of Online Courses (NROC)

The National Repository of Online Courses (NROC) is a library of online course content for students and faculty in higher education, high school and Advanced Placement. It’s a non-profit project of the Monterey Institute for Technology and Education, an education think tank that is well-funded by competency-based education advocates like the Bill & Melinda Gates Foundation.  It also receives funding from the William and Flora Hewlett Foundation, the James Irvine Foundation and from NROC member institutions.

Hippocampus.org has video presentations and interactive activities called simulations available in history, government, sociology, and economics.  These are openly available, and the content collections come from Chattanooga State University, National Geographic, Dallas Learning Solutions, the Virginia Historical Society, and Tom Christian and Thorp School District.

Marked as “contributor content” are the Statistics course and Religions of the World course.  These are available to NROC members only.

Resource Highlight: Social Networks and Archival Context (SNAC)

The Social Networks and Archival Context (SNAC) is basically a social network of archives. It’s a bit like one-stop shopping: it exists to help historians and other researchers make connections among the people they are studying by mapping the ways in which they can be connected through archival materials.

From the blog post introducing SNAC to the public:

Let’s look at an example of Shirley Chisholm in SNAC. In just the National Archives Catalog, Chisholm has an authority record and is connected to just five descriptions. There are a pictures of her, an interview, and more… But the Archives is not the only repository to collect Chisholm’s work: 51 collections in SNAC either list her as the creator or have a referenced to her. For example, Chisholm’s letters are located in the New York Public Library.

Not only can you find a single person in multiple archives using SNAC, but you can also find records for people and organizations associated with them — so for Chisholm, some associated names are “major historical figures like Presidents Jimmy Carter and Lyndon Johnson; Shirley Bernard, a professor and an active member of the National Organization of Women; and Constance Baker Motley, an important African American judge and social reformer.” (The featured image is of the network of names associated with Chisholm’s, which also shows if the names were connected apart from their connection through Chisholm.)

This makes SNAC a tremendous tool not only for doing historical research, but for situating research in context.

 

Resource Highlight: archiv.folx.org

Looking for a hornpipe, polka, or gavotte? http://archive.folx.org/ is an online database of traditional and folk music. Find recordings, videos, sheet music, and lots of other information on ethno music from (mostly) Europe.

Sheet music for the traditional reel, “Drogheda Bay”

Note: I personally have terrible memories of being forced to square dance in gym class.  But looking back, I think that what bothered me most was that it was contextless: lining up in the gym and dancing for no reason at all was just stupid and made everyone self-conscious.  Furthermore, if you managed to achieve any kind of facility with the steps, the bell was sure to ring!  However, I’ve also been to events where there were live musicians and folk dances that were a tremendous amount of fun for everyone.  So I think the context matters a great deal for your average student.

If you’re teaching American history, for example, why not have students watch a musical movie such as “Oklahoma” in preparation, discuss what people then needed to do to prepare for a dance, and then plan your own?  Let them dress up or play instruments, and then let the jam session continue from there!

WorldView Software and Canvas®

We are very pleased to announce that WorldView Software has been fully integrated with Canvas® from Instructure, Inc.!  Canvas® is an easy-to-use, cloud-based learning management system (LMS) that connects all the digital tools and resources teachers use into one simple place.

Use your Canvas® account to access our award-winning apps:

A screenshot of WorldView Software’s American History II program within the Canvas teacher’s edition.

You can now find us through the EduAppCenter, which is maintained by Canvas®.  We are also accessible from within Canvas® as an external app.  A consumer key and sharedsecret (password) are required for access.

Canvas® is the fastest-growing open online learning management system (LMS) in K-12 — it’s even been selected by North Carolina’s Department of Public Instruction as a tool teachers throughout the state can use to collaborate. If you’re in NC, our programs World History A & B, American History I & II, and U.S. Government with Economics are fully correlated to state standards and have been approved for use as both textbooks and supplements.

Canvas® LMS + WorldView content = learning!


BulbgraphOnOffArt images are a great way to introduce units: use them to generate questions on all sorts of topics!


Preview WorldView Software’s programs for free at company logohttp://www.worldviewsoftware.com/preview/

 

#EdTech Posts of Interest

Two very interesting recent posts from blog Seattle Education about edtech — where it came from, and where it’s going.

computer motherboard

You cannot fully understand what is happening with Future Ready school redesign, 1:1 device programs, embedded assessments, gamification, classroom management apps, and the push for students in neighborhood schools to supplement instruction with online courses until you grasp the role the federal government and the Department of Defense more specifically have played in bringing us to where we are today.

— Source: “How exactly did the Department of Defense end up in my child’s classroom?” by Seattle Education

Focus group results have been refined into sophisticated campaigns designed to convince us that digital education for children is superior to face-to-face instruction with a certified teacher. The goal? Put technology front and center in 21st century school redesign, and push human beings to the sidelines…If it’s innovative, it must be good. Personalization? Bring it on! And for students in underfunded schools with leaky roofs and tainted water, the arrival of technology brings a glimmer of hope that someone actually cares. But are we bridging a digital divide? Or are we setting our schools up for digital dehumanization down the road?

— Source: “Hybrid Learning, Cicada Killers & the Next Big Fight” by Seattle Education

As a very small social studies publisher, we see these developments from both ends: the DoD/DARPA connection is dominated by large companies and foundations with a particular guiding educational philosophy — one we don’t share.  We believe that learning requires true interactivity, and that true interactivity requires software that can respond to different interests.  Our design makes it possible for students and teachers to proceed as they see fit through our wealth of content, whether they want to get a basic grasp of a subject or explore it in depth.  Our software uses your web browser, which makes it as accessible as possible, to as wide a range of students as possible.

And while we provide in-program assessments at several levels, as well as reporting for teachers — although quite rudimentary compared to the meta data and para data described in the post! — we do not envision our software as a teacher replacement.  Everything we design rests on the assumption that a human teacher is guiding the learning process, and will be there to explain, assist, and evaluate.

It is possible to use digital educational tools that don’t demand souls as payment!

Resource Highlight: International Music Score Library Project

The International Music Score Library Project/Petrucci Music Library provides music scores free of charge to anyone with an internet connection.

The ultimate goal of the IMSLP is to gather all public domain music scores, in addition to the music scores of all contemporary composers (or their estates) who wish to release them to the public free of charge. However, another main goal of IMSLP is to facilitate the exchange of musical ideas outside of compositions: for example, the analysis of a particular piece of music… We hope to build a growing community of dedicated musicians and music lovers, who can use this site as a platform for enjoying music.

Find scores by searching composers, nationality, time period, instrumentation/genre, or the collections of the Werner Icking Music Archive.  Whether the score is from a well-known composer such as Ludwig van Beethoven (341 scores available) or lesser-known composer such as Bedrich Smetana (76 scores available), you might be able to find it here.  (You can also perform a search of the subscription Naxos Music Library from here.)  There are also scores from traditional and folk songs, and  from composers all over the world.  For example, check out the score of “Kyrie eleison in G major” by Nigerian composer Edewede Oriwoh.

Some scores have synthesized/MIDI performances available as well as arrangements and transcriptions.  Bonus: there are also recordings of performances for many of the pieces!

[The featured image is a snippet of “Chun Jiang Hua Yue Ye” a Chinese folk song from the Ming Dynasty.]


BulbgraphOnOffExplore the data visualization tutorials to learn about the use (and misuse) of maps, graphs, charts, and infographics.


Preview WorldView Software’s programs for free at company logohttp://www.worldviewsoftware.com/preview/